EPUBBING with NICOLA FURLONG

In previous posts, we’ve discussed the history of the mystery novel and are now identifying the FOUR ELEMENTARY clues that help us understand this genre’s perennial popularity.

We’ve already put the magnifying glass over our first two clues:

Clue 1: The Shocking Out of Place Body, and
Clue 2: The Challenge of the Puzzle.

Now, it’s time to examine the final pair:

CLUE 3: The Affirmation of the Sanctity of Human Life

Each of us believes that our life is important and that no one has the right to end it before time…and rightly so. It’s comforting to know that crime fiction confirms our belief in the sanctity of human life.

In a detective novel, it doesn’t matter if the murder victim was a queen or a prostitute; if her death is suspicious, it is thoroughly investigated by the police, the amateur dick or the avenging angel.

Of course, the goal is to catch and punish the guilty and to restore justice.

At least, it is for most crime writers. There are some, however, who challenge this tenet, like Minette Walters and Walter Mosley.


Even some of the oldies, like Conan Doyle and Christie, offered a storyline or two where the ‘guilty party’ wasn’t brought officially to book. I believe the very fact that these ‘other suitable endings’ exist strengthens the whole concept of moral rightness.





CLUE 4: The Return to Order from Disorder

By the end of a mystery novel, the world which had suddenly gone mad almost returns to normal and right is restored.

This is important for as we know, life goes on. But it’s not the same as it was before the horrific crime. How can it be? Someone’s been murdered and the killer has been captured and punished.



So, with the puzzle solved, the murderer revealed and paying a penalty, the natural balance of life is restored and our dear reader closes the book with a satisfied thump.



Given all this, the real mystery is why we wondered about the popularity of crime / detective fiction in the first place?

In our previous posts we’ve investigated the ‘mystery novel’ crime scene. What evidence have we uncovered to help us discover the perennial popularity of this type of genre fiction?

Ah, here are the FOUR elemetary clues:

CLUE 1: The Shocking Out of Place Body

W.H. Auden was first on the scene by observing that there is potential for more horror in one single body on the drawing room floor, than in a dozen, bullet-riddled bodies down a large city’s mean streets.

That’s because it’s personal. We know the individual sprawled on the carpet.

The impact is always greater when it’s brought home to your own doorstep.

Why do you think the suspect in Murder She Wrote is always related to the main character, Jessica Fletcher?

Or why the serial killer, in any number of books like Dexter, Silence of the Lambs or The Bone Collector, always taunts and targets the protagonist or their family and friends?

If the writer has been successful, the reader cares deeply for and is emotionally connected to the protag, so any attack that hurts the main character is felt vicerally by the audience (at least, that’s the goal!).

CLUE 2: The Challenge of the Puzzle

Everyone loves a mystery, right? We all delight in being puzzled, challenged, intrigued and sometimes even friggin’ scared.

That’s because of the enduring allure of the unknown and our unending desire to know it. It’s just our basic human curiosity.

Okay. You’re in the interview room, the big light’s in your eyes and the detective’s questions keep on coming.

It’s confession time.

Admit it: you delight in trying to outwit the gumshoe and discover whodunit first. Some of you can’t stand the suspense and even read the ending first (horrors!), just to get the anguish over with!

After all, bragging rights are on the line!

So, the mystery of the perennial popularity of crime fiction is partially solved.

Two clues down, a pair to go. What might they be…

Guess you’ll just have to wait for the final post in this series.

Better yet, why not offer your suggestions?