Intro: I’ve been teaching a writers’ workshop at our local Camosun College on how to write a mystery novel. My students are eating it up, telling me that they’re learning lots of practical and usable tips and techniques, so I thought I’d offer bits and pieces of the workshop in my new Friday Mystery Writing blog posts.
The information is gleaned from my little non-fiction e-book primer called Youdunit Whodunit! How to Write Mysteries and offers my tips, techniques and information suitable for crafting of all types of genre writing.
So, even if you write romance, sci-fi, fantasy or horror, please keep reading and learn with us crime writers.
CHARACTER DEVELOPMENT (Part 10)
The last group of posts have concentrated on the story structure of a mystery novel. Been there; done that. Now we’re onto developing characters or as I like to think of it: Ready for my close-up, Mr. DeMille.
In the post on character development, I introduced an essential question: Who’s telling your story? You can have more than one storyteller but for our purposes, we’ll stick to one.
You need a point of view (POV) from which to tell your tale. There are two common POVs in fiction writing: First Person, which we discussed in our last post, and Third Person.
LEMME TELL IT MY WAY: Today, we’re beginning to discuss Third Person POV

Multiple Lion POVs (credit E. Polinsky)
In this Point of View, the writer chooses to tell the story from more of a distance by narrating with “He said” or “They said”.
Third Person POV can offer the writer some intimacy, mobility, control and flexibility. He or she may describe scenes before characters enter, may create different character voices and mix up times and locations. And best of all, the writer can split up the sleuthing responsibilities, perfect for those fun duo detective capers.
Contemplate this passage from THE WATCHERS OF TIME, by Charles Todd: (more…)