Intro: I’ve been teaching a writers’ workshop at our local Camosun College on how to write a mystery novel. My students are eating up these writing skills, telling me that they’re learning lots of practical and usable Friday Mystery Writing blog posts.
The information is gleaned from my little non-fiction e-book primer called Youdunit Whodunit! How to Write Mysteries and offers my tips, techniques and information suitable for crafting of all types of genre writing. So, even if you write romance, sci-fi, fantasy or horror, please keep reading and learn with us crime writers.
CHARACTER DEVELOPMENT (Part 8a)
The last group of posts have concentrated on the story structure of a mystery novel. Been there; done that. Now we’re onto developing characters or as I like to think of it: Ready for my close-up, Mr. DeMille.
Just take a couple of seconds and think about which characters you consider outstanding. Who instantly comes to mind? For me, there’s Tulkinghorn in Bleak House, Phyllis Dietrichson in Double Indemnity, Hannibal Lecter in Silence of the Lambs, Rex Stout’s Nero Wolfe and Olive Martin in The Sculptress, just to name a few.
Why are they so outstanding? They’re all unique, memorable, fascinating and believable. The gold standard of character development; something we all aim for.

Ready for my close up!
SO WHO’S TELLING YOUR STORY, ANYWAY?
A critical decision: who is your storyteller? It is from his or her point of view (POV) that your murderous tale will unfold. This is especially important in a mystery as you have to follow the fair-play rule and make sure that all the necessary information is available to the reader. (more…)